horrorfilm
Five minutes into Austrian directing duo Veronika Franz and Severin Fiala (Goodnight Mommy, The Lodge)’s third feature Des Teufels Bad (The Devil’s Bath), you know this period piece is not going to be an easy watch. Upper Austria. 1750. A bleak prologue sees a mother traverse the woods, and head towards a waterfall. There, without batting an eyelid, she throws her screaming infant off the ledge. She then heads to the church, knocks on the door, and turns herself in to the authorities. “I have committed a crime.” She is executed. More precisely, she is decapitated, with her fingers and toes cho...
Euronews (English)
After her impressive calling card in 2017 with the bloody and candy-coloured Revenge, Coralie Fargeat has clearly been brushing up on her body horror. And she did not come to Cannes to play gently. There isn’t anything in the French writer-director’s second film, The Substance, that hasn’t been addressed before. The fear of aging – specifically how Hollywood’s obsession with beauty leads to the ruthless system discarding female talent the second they’re “past it” - has been seen in countless films. However, Fargeat executes it with a merciless precision that out-Cronenbergs Cronenberg. She wil...
Euronews (English)
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